" High Voltage" was the first song written and recorded for the album, the title inspired by that of the previous album. " School Days" is a cover version of a Chuck Berry song, a major influence on both Young brothers. It features a different arrangement and slightly different lyrics from the original version. contains some of the band's best-known songs, including the title track, "It's a Long Way to the Top", "The Jack", and "Rocker." Seven of the album's nine songs were written by the Young brothers and Scott, while " Can I Sit Next to You Girl" predated Scott's involvement in the band, having been recorded as a single with former vocalist Dave Evans. Chanting in " T.N.T." was also George Young's idea, added after he heard Angus ad-libbing the "oi" chant to himself, and suggested he record it. For the next three years, whenever they played the song live, Angus would play an extended guitar solo. Regardless, Scott – who knew how to play the recorder – learned the instrument and went on to play them on stage with the band up until 1976, when he set the bagpipes down on the corner of the stage and they were destroyed by fans. Singer Bon Scott had played in a pipe band in his teens, so George suggested he play bagpipes on the song, not realizing that Scott had been a drummer, not a piper. " It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" was edited down from an extended jam by producer George Young and the inclusion of the bagpipes was his idea to add an extra dynamic to the track. Once the backing track was done, he would literally be locked in the kitchen there at Alberts, and come out with a finished song. Bon would be in and out when the band was recording backing tracks. Malcolm and Angus would have the barest bones of a song, the riff and different bits, and George would hammer it into a tune. Malcolm and George would sit down at the piano and work it out. Malcolm and Angus would come up with riffs and all that, and then we'd go into the studio. In Clifton Walker's 1994 book Highway to Hell: The Life and Times of AC/DC Legend Bon Scott, bassist Mark Evans speaks about the band's creative process during this period: So I suppose you could say that T.N.T was the one that really pulled the identity like, this is AC/DC, there's no doubt about it, that's who it's going to be and that's how it's going to stay." In Murray Engleheart's book AC/DC: Maximum Rock & Roll, producer Harry Vanda states, "I suppose there might have been one or two tracks on the first album, a few things that they were experimenting with, which probably later on they wouldn't have done anymore. They also simplified their personnel system and would use it from then on out, which was Angus strictly playing lead guitar, Malcolm Young playing rhythm guitar, and the drummer and bassist being the only ones to play drums and bass guitar respectively on the albums. saw the band fully embrace the formula for which they would become famous: hard-edged, rhythm and blues-based rock and roll. marked a change in direction from AC/DC's debut album, High Voltage, which was released on 17 February 1975 whereas High Voltage featured some experimentation with the styles of its songs and had a variety of personnel filling multiple roles, T.N.T. George was the older brother of guitarists Malcolm Young and Angus Young and had enjoyed his own success in the group the Easybeats. 9.After the success of the single " Baby, Please Don't Go" and the album High Voltage, AC/DC returned to Albert Studios in Sydney to record their second LP with producers George Young and Harry Vanda. Angus Young’s solo is stupendous, bassist Cliff Williams and drummer Phil Rudd nail the rhythms, and Johnson layers on a stunning melody. Newcomer Brian Johnson proves he’s a worthy successor to Bon Scott with his double entendre-laden lyrics about a neighborhood pusher making daily rounds around the suburbs to keep bored, lonely housewives well supplied with narcotics. Shoot to Thrillįrom start to finish, Shoot to Thrill rocks. The pain evident in the lyrics is perfectly reflected in Scott’s majestically desperate vocals. He may have kissed goodbye to the poverty after joining the band, but judging by Down Payment Blues, he still remembered what it was like to be down to the last few cents of his paycheck. As SongFacts says, the Young brothers may have come from a solid family, but Bon Scott had seen some hard times in his life, experiencing poverty, relationship woes, and a car crash that nearly cost him his life.
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